The renowned publisher Conde Nast has 22 brands, last I checked. Four readily come to mind: Vogue; GQ; Conde Nast Traveler and Vanity Fair. In the context of this post, those 4 magazines have been founts of creative thinking for my marketing side, editorially and commercially.
So, I took creative license to offer an ambiance of levity, a lack of seriousness if you will, because I wanted to share a distraction far from the banal and divisive intrusions that dilute attributes of hope, faith, tolerance, civility and last but not least—love.
I‘m an old-school kind of person. I think there are many ways to express personal opinions, dissent, etc., but not during the playing of our national anthem and the presence of the stars ‘n stripes…Here’s one [legal] reason to consider. Click here. [U.S. Code › Title 36 › Subtitle I › Part A › Chapter 3 › § 301]
For the past 100 years in early Autumn, the Eastern States Exposition puts on a show affectionately known as, The Big E. For about 2 weeks, visitors can lose themselves in entertainment, food & drink; wander the Midway complete with all things that say “carnival;” explore hundreds of exhibits and competitions that focus on the demanding work in farming, the raising & caring for livestock & poultry and more, much more. The Big E is one of the country’s largest fairs. I enjoy it for many reasons, but my fascination goes to the hundreds of food vendors on the grounds, especially when their booths light up the night.
Road photography. Funny, in many ways when I look at things, this is how I “see” the detail or details I’m drawn to. It could be a color, a line, a shadow, a shape, a motion of some kind. Perhaps even combinations thereof…
On the road again Goin’ places that I’ve never been Seein’ things that I may never see again And I can’t wait to get on the road again
Johnny Cash & Willie Nelson
For me, one of the better ways to decrease the clutter in my head is to take a drive with camera in tow. Road photography. It should be a category of its own. Sometimes I have a location in mind, mostly I don’t. Where the road leads and the sun moves are my travel indicators. I chase the light, I welcome serendipity and I relish the freedom that time brings. Driving the back roads—especially those off the major interstates—offer catharsis. It works.
Road photography. It’s a cousin to street photography, but instead of strolling along sidewalks, I’m in a car driving to nowhere in particular, just to immerse myself in a tempo and ambiance that has little to do with work. At times I also take along my journal and if nothing arouses my visual creativity, I take the pen to the paper…or vice-versa.