Vertical dimensions and shapes provide seminal perspectives. The Bay of Fundy is such a place to feel them. It claims to have the highest tidal range on the planet, on average rising and falling 56 feet [17 meters], twice a day.
While the tides run relatively constant, the power of moving water creates an impermanence to the landscape. The land changes albeit slowly. And of course, we physically change too, though on a timeline far shorter than these “monuments.” These amazing structures will outlast me, which is to say they’ll still deliver an enduring perspective to others who might be standing on the very spots when I took these photos.
It’s not difficult to dislike the brutal cold [7F with -10 windchill]. In spite of that, I find a quality that transcends visual beauty.
The cold makes things hold fast. It’s a natural form of “stop-motion” for inanimate objects. And a few animated ones as well vis-a-vis, birds stoically perched in a tangle of shrubs enduring both the cold and the wind.
For a brief instance—and I mean brief—I’m part of the landscape with camera in hand. The cold forces me to hunker down, to pull tighter the collar of my jacket, the hat on my head, the gloves that now feel powerless to the temperature as my fingers start to numb.
*City of Superlatives. Anything that projects grandeur or largesse beyond one’s imagination sounds better in french. Hudson Yards is a good example. And this project is more than just another set of very tall buildings.
My sole photo doesn’t begin to tout the scale of the real estate involved. Heading west from 10th Avenue to 12th and south from West 34th to West 30th lies the acreage that holds the largest private, real-estate construction project in the USA.
The Big Apple is about to get much bigger on so many levels, but don’t take my word on it.
The renowned publisher Conde Nast has 22 brands, last I checked. Four readily come to mind: Vogue; GQ; Conde Nast Traveler and Vanity Fair. In the context of this post, those 4 magazines have been founts of creative thinking for my marketing side, editorially and commercially.
So, I took creative license to offer an ambiance of levity, a lack of seriousness if you will, because I wanted to share a distraction far from the banal and divisive intrusions that dilute attributes of hope, faith, tolerance, civility and last but not least—love.
Road photography. Funny, in many ways when I look at things, this is how I “see” the detail or details I’m drawn to. It could be a color, a line, a shadow, a shape, a motion of some kind. Perhaps even combinations thereof…
Not quite summer’s end, not really autumn yet, but the cusp that enjoins these 2 seasons is before us. I love this time of year.
Naumkeag is an incredible place because it allows me to dwell on and feel connected to matters taken for granted. There’s time and space to slow down, to think, to feel, to recognize that not all issues, concerns or problems are of utmost importance above anything or anyone else. Naumkeag is a sanctuary where the main characters are pastoral. The lead character has to be the quiet, the kind of quiet that tells us there is catharsis in solitude for the benefit of oneself.
There are many distractions, including things that are not here. Out of sight—out of mind: no tablets, no MP3 players, no traffic sounds be they from land or air. Space is one of several pleasant distractions, especially those spaces that encourage you to become part of the setting.