Totalitarian Sentiments


Creating confluence, understanding & compromise 101. Photo: C. Centeno

We have met the enemy and they are us.  Circa 1960s: Walt Kelly from his comic strip, Pogo, in reference to the US involvement in Vietnam. The phrase is a variation from Naval Commander Oliver Hazard Perry whom, in the late 1790s said, “We have met the enemy and they are ours.”

Our sociological positions on culture, tolerance, honest communication, integrity, decorum and humility have fallen to new lows. Some of us—in particular those with the loudest and most obstinate of postures and voices—have created as well as promoted an intractable reality that has altered our ability and willingness to freely express our thoughts and feelings across many subjects.

Fueled by emotion, group think, individual perceptions and more, it’s become de rigueur to put someone down [shouting, shaming, name calling, e.g.] just to make a point. What concerns me is while someone can possibly make a point, the counterpoint is summarily dismissed. Its dismissal is total, a product of a scorched earth mentality that leaves no room for perspective, for critical thinking and even a chance, however small, to understand the meaning of the counterpoint let alone the person or persons expressing the counterpoint.

We not only agree to disagree, but we do so in disagreeable fashion. We create diatribe instead of discussion, insults in lieu of perspectives, bombast as proper elocution.

I leave you to ponder on William Faulkner:

“I believe that humankind will not merely endure: we will prevail. We are immortal, not because we alone among creatures have an inexhaustible voice, but because we possess a soul, a spirit capable of compassion and sacrifice and endurance.”

Processing engagements

During a recent trip to Old Sturbridge Village, I came upon this roped-off exhibit of a beautiful, portable, writing desk with written pages fanned across its top. I imagined how the owner and writer of those materials may have looked like. This gentleman seemed to fit the bill.

I can appreciate the time and effort it takes to hand-write many things. I’m at odds with my peers, being one who cherishes writing [letters, journaling, e.g.] with a fountain pen no less. It does require your attention. The efficiency of computers is a boon to creating content, from tweets to long essays and dissertations. The use of all types of computers is standard for our developed societies.

But why do we need to process things so quickly? It’s a rhetorical question, certainly, but not without practical considerations. We marvel at how fast technology processes both the simple and the very complex. However, you lose [at least for me] that joie de vivre of the moment. Being attentive in the moment is quite different from being momentarily attentive.

And I see too much of this momentary attentiveness in many. How so? In a restaurant, you can see some couples more attentive to their smart phones than each other. In parks, in museums, in the lobbies of theatres, offices and yes, even in our cars, the siren of that handheld is overwhelming. The device in our hand responds quickly, in “real” time, then with a thumb stroke, we’re onto another screen for something else.

For me though, I feel better connected when I’m engaged with just about any process that requires a bit more attention, time and effort. Yes, I admit an app can make things easier and interesting. But for me, the process of being engaged and attentive to tasks and to processing information just isn’t the same when a person is with me.


Photography and writing—as in life—consists of details small and large. When I tote my camera, I’m alert to details that shape the so called “big picture.”  It’s easy to get caught up in the bigger items [buildings, cars, trees, signage, e.g.] while things far smaller [cracks in the sidewalk, flowers, bird on a wire, e.g.] are thought of as incidentals to the place and moment I’m in.

But now and then, I tell myself to pay attention to details that are inconspicuous as well as innocuous. Such details remind me that in my own life, bigger, faster, more costly, etc. is not always better…


What is a powerful brand made of…?

16-ferrari-lime-rock-1053Ferrari. What comes to mind other than the obvious. Luxury? Exclusivity? Formula 1? Art? Engineering? History? Passion and Soul? You can add your own to the list. For as long as I can remember, I’ve felt that many things designed and made in Italy were objects in possession of a soul. From appliances, cuisine and fashion to industrial design, mechanical engineering and art, Italy’s portfolio of world-renowned brands are the stuff of dreams and much more. However, there is one brand that has an aura all its own, one that’s genuinely global in scale and scope.


Between the poles and across the hemispheres, no other brand stirs as much passion, approval, loyalty and emotional ownership. When Enzo Ferrari created his eponymous company, he put into motion more than a company. Ambition, passion, problem-solving and yes, art, were made manifest in his cars, first in racing, then in street-legal sports and GT cars.


What factors played into the creation of Ferrari, the brand?

Passion This is a must-have, a non-negotiable intangible that’s expressed in determination, faith in oneself, desire and ambition.

History  There are no overnight successes. Powerful brands have a narrative. Properly framed [read: small beginnings to small victories to world-wide success], Ferrari took to heart his mission to produce race cars that were designed to win AND deliver an aesthetic unlike others on the track. Certainly this mission carried over to street cars. Ferrari’s history is important to the brand’s mystique and attractiveness; the company smartly uses history to enhance its position in the exotic car market.


Standing Out Powerful brands deliver consistency and a promise on quality. Not to be flip, but early on, Ferraris weren’t consistent with quality and reliability. However that has changed. In just the past 20 years, they’ve produced products that are wholly different from other sports cars. One thing is certain, when you see a Ferrari, it does stand out. If you’re fortunate to drive one, its performance also stands out across a variety of areas [acceleration, braking, steering, sounds from the engine bay and exhaust pipes and so on]. Proper positioning is part of standing out and the company manages this extremely well.


Value  You can successfully argue that no one needs a Ferrari [or anything that speaks of luxury, for that matter]. The brand’s real value goes beyond the sticker. Emotional ownership and exclusivity fuels value; the sticker price reinforces limited production quantities as well.  Ferrari markets its brand through careful licensing, merchandising, events and affiliations. Put another way, mortals like us can still feel part of the Ferrari brand, mystic and experience. Their online store demonstrates this because it promotes a sense of inclusion: we can’t afford the cars, but we can feel and show our admiration for the brand via jackets, bas, mugs, watches, caps, T-shirts, office accessories and more.


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As much as I love being in Manhattan, I also love being just outside of it, in particular, just across the river in Brooklyn. There’s plenty of “city” to be found and experienced, but thankfully, the parks are terrific reminders to take it slow once in awhile.

The Specialty Bakery

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What’s the sensory attribute second only to vision, that can impact your perception about as quickly?  Smell.

I think of all the pleasant smells anyone can encounter, there’s no denying that of a bake shop. The Polka Dot at Greenpoint in Brooklyn is a case in point. While I do not understand Polish, I can comprehend reactions from patrons when they see or hear about something this little bakery offers.

A Soiree of Symphonic Relevance

Nancy Hoffman samples one of the many gourmet offerings.
Nancy Hoffman samples one of the many gourmet offerings created by Emily’s Catering.

For approximately 2.5 hours on a beautiful summer night, Nancy and Jerry Hoffman graciously hosted an early evening function, one which acknowledged the generosity of patrons supporting the Hartford Symphony Orchestra.

Back in May during the annual gala for the HSO, one of the auction items was an evening spent at the Hoffman’s West Hartford penthouse. The lucky bidders/supporters were treated to jazz music and popular standards while hot and cold hors d’oeuvres were served and select wines and spirits were poured.

Enjoy the photo-essay [click on an indvidual photo for closer viewing].

A variety of gourmet delights circulated amongst the guests.
A variety of gourmet delights circulated amongst the guests.
Attendees enjoyed a variety of splendid wines, beer and mixed beverages.
Attendees enjoyed assorted wines, beer and mixed beverages.
Jerry Hoffman welcome Lisa and David Wurzer to the penthouse.
Jerry Hoffman welcomes Lisa and David Wurzer to the penthouse.

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[L-R], Mary Jane Centeno, Sylvia Kelly and Nancy Hoffman.
Frank Travis [L] and Pierre Guertin, former HSO Board Member and Past President.
Frank Travis [L] and Pierre Guertin, former HSO Board Member and Past President.

Longtime symphony supporter and concert-goer, Harvey Kelly.
Longtime symphony supporter, concert-goer and HSO board member, Harvey Kelly.
Yes, there's more to being a symphony musician than classical music.
Yes, there’s more to being a symphony musician than classical music.
We could've easily been in a celebrated NYC jazz house.
We could’ve easily been in a celebrated NYC jazz house.
Jazz, popular standards, bossa nova...the trio had it down pat!
Jazz, popular standards, bossa nova…the trio had it down pat!
Ruth Sovronsky with HSO concertmaster Lenny Sigal.
Ruth Sovronsky with HSO concertmaster Lenny Sigal.
Tony Falcetti of Falcetti Music graciously offered the use of Yamaha Clavinova digital piano.
Tony Falcetti of Falcetti Music graciously offered the use of a Yamaha Clavinova digital piano.

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[L-R] David R. Fay, President & CEO, Bushnell and Howard Sovronsky, President & CEO of Jewish Federation of Greater Hartford.
[L-R] Barbara Hess, Frank Travis and Sharon Rizikow.
[L-R] Barbara Hess, Frank Travis and Sharon Rizikow.

Ruth Sovronsky, Director of Development, extends a Hartford Symphony
Ruth Sovronsky, Director of Development, extends a Hartford Symphony “thank you” to the Hoffmans, musicians, caterer and guests.
Jerry Hoffman showcases the living spaces, all designed and decorated by his wife, Nancy.
Jerry Hoffman showcases the living spaces, all designed and decorated by his wife, Nancy.
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Jerry Hess takes extra care holding his Cabernet during the penthouse tour.

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Music Matters

In my line of work, you host, sponsor and get invited to a variety of events from various non-profit agencies and causes. Most everyone can understand donation requests in the form of food, clothing, footwear and safe housing. The need for basic items will not abate and is likely not to.

15 Htfd Symph Gala-1005056This past weekend, my wife and I were invited by 2 wonderful friends to attend the annual Hartford Symphony BRAVO! gala to support the HSO and its various programs. This may sound like a declaration for music appreciation, perhaps it is because other than imagery, music is a vehicle that connects you to some of your most profund emotions: fear, joy, nostalgia, regret, anticipation, optimism, self-worth among others.

15 Htfd Symph Gala-1005060Many galas are over the top [in a good way!], but if you get past the themes, decorative accoutrements, wine, main course, dessert and coffee/tea, there’s no wondering about the main purpose of these functions: to procure money and moral support.

15 Htfd Symph Gala-1005047Ticket sales alone cannot support a symphony; that’s too much to expect in this day and age.  I believe such was the case many years ago. Financial and moral support need not be mutually exclusive. Think in terms of helping children and young people. Like other major symphony orchestras, the HSO creates programs that encourages kids to become more involved with music. At the very least, to increase our involvement through time, talent, financial contributions or combinations thereof.

15 Htfd Symph Gala-1005026We see many things connected to the arts falling away due to budget cuts. Materials, instruments, field trips, special visits/talks from artist themselves and so forth disappear. Like any other solid corporation, the HSO gives back to the community. In the case of the HSO, it’s more about teaching kids about the power of music. Neophytes are not the exclusive target audience; experienced student musicians also beneifit from music-focused programs and activities.

It’s not a stretch to think—and feel—that music matters.

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Technical: All images taken with a Leica M, Elmarit 28mm f/2.8 lens: ISO ranges from 400 to 3200.